On Thursday I met for a half hour with Pablo Rodriguez, MP for the Quebec riding of
Honoré-Mercier,
and the Heritage critic for the Liberal party. Copyright is joint
between Heritage and Industry, so this is a key MP when it comes to
the future of Copyright bill C-32. (See also:
List of MPs I have
met)
I came with some of my regular
material:
We started with me introducing
myself, and my motivation for being involved: I am here as a creator
who is trying to protect fellow creators from some of the very things
they have been asking for.
I went through the "copyright
4 things", at which point he started to ask questions. He said
that I was contradicting much of what he had heard from other groups. I explained that this is natural, given the representatives of these
groups do not have the necessary technical background in order to
understand the impact of this legislation on real-world technology.
He was surprised to hear that
it was possible to infringe copyright without unlocking a digital
lock, something that every technical person knows. If you take a
bit-for-bit copy of a DVD, for instance, the resulting DVD is
identical to the original. You can't view the DVD without the
decryption key, but you can make exact duplications of the encrypted
content without caring about the key at all.
I then spoke about how many
forms of DRM are made up of two locks: an access control (encryption)
on the content such that it can only be accessed with the right
decryption key, and a lock on the hardware and software "owned"
by the audiences which contains the content decryption key. I
indicated that while most of the discussion was science-fiction about
what the lock on content could do, the real-world technology created
far more controversies associated with the lock on the devices:
something the copyright holder clearly does not "own" and
should have no standing in controlling.
There were many conversations
at that level. I believe that my core message was clear, which is
that far from protecting copyright and the interests of creators,
misapplied and misunderstood technical measures are a great threat.
We then moved onward to a
question politicians love to ask: If you were me, what would you be
doing? What are the answers to the problems?
There are many ways to answer
this.
I stated that current Canadian
copyright law adequately protects the interests of copyright holders,
and there is no crisis. Most of the alleged problems don't actually
exist, some are self-inflicted, and only a tiny minority of issues
actually need legislative clarification. While copyright clearly
needs updating, C-32 heads in the opposite direction and will only
harm the very people it alleges to protect.
I mentioned that the Federal
Court and Federal Court of Appeals gave the recording industry a
blueprint to sue music fans. It was their choice and not a mythical
limitation of Canadian law that has meant that lawsuits have not been
launched. I also suggested that what is happening in the music
industry is not about infringement, but about the changing
relationships between composers, performers and makers of sound
recordings brought on by new technology.
The idea that Canadian law is
stronger than US law in many ways came up. I mentioned moral rights
and Canada's ratification of the WIPO Rome convention, suggesting
that there are many more examples. We also spoke about how some are
attacking the roll of WIPO now that majority-world countries have
started to push towards treaties for the visually impaired,
limitations and exceptions, and a more honest development agenda. I
suggested that those trying to move international Copyright
development to new forums like ACTA are anti-copyright in that they
don't like the balance that exists in Copyright law or increasingly
at WIPO.
But that doesn't address his
shorter-term question, which is:
What should we do
about bill C-32
Bill C-32 is an omnibus bill,
covering an excessive number of complex and largely unrelated topics. We need to move to having a larger number of smaller bills which can
be reasonably studied and debated.
If the bill goes to committee
before second reading, anything can happen. The following is what I
would be pushing for if I were there:
- renaming the bill to: The
1996 WIPO treaty implementation act.
- declare as off-topic for this
specific bill any issue that is not directly related to Canada's
implementation of the WIPO Copyright Treaty (WCT) or the WIPO
Performances and Phonograms Treaty (WPPT), both adopted in Geneva in
1996.
This is not to suggest that
other issues aren't important, but to suggest that they are important
enough to deserve separate bills to be debated separately.
These two treaties are
themselves quite complex, with many possible interpretations of the
language within them. There are a few key issues which we need to
watch carefully. I will reference the WCT article, even though
similar language is used in WPPT as well.
- There are harmful and helpful
interpretations of WCT Article 6 (right of distribution), Article 8
(Right of Communications to the Public) and Article 12 (Obligations
concerning Rights Management Information). We just need to ensure
that the helpful interpretation is used in Canada.
- There are relatively harmless
and greatly harmful interpretations of WCT Article 11 (Obligations
concerning Technical Measures). This has been the focus of the
debate, both at WIPO back in 1996 as well as each time legislation is
tabled in any country.
I believe the ideal solution
is to implement legal protection for technical measures in the
appropriate provincial legislation such as contract, e-commerce, and
property law. I clarify how this would fulfil WIPO treaty
requirements in the bill C-32
FAQ. This would protect the legitimate uses of technical
measures by copyright holders, and entirely avoid the abuses.
A lesser second option is to
adopt the language from Liberal bill C-60, which was a translation
into Canadian law of the WIPO treaty language.
Under no circumstances should
the concept of "access controls" or "access" be
added to Canadian Copyright law. These concepts were imported into
bill C-32 from the USA DMCA, were rejected in 1996 at WIPO, and must
be rejected in Canada. These concepts create an opt-out of the
contours of Copyright. Proponents of these types of polices should
be understood as being anti-Copyright, and these concepts should be
constantly denounced by those of us who respect the traditional
definitions and goals of Copyright.
- Concepts of "national
treatment", where copyright holders in any WCT country need to
be offered the same treatment as Canadian creators. This may impact
things such as compulsory licensing schemes (IE: Private Copying
Levy) as collectives outside of Canada will be able to request a cut
as well. Canada may be forced to repeal this regime, or create a
regime closer to the PLR (Public Lending Right) which is not part of
copyright at all, but is a properly administered government program.
I believe if we ratified the
1996 WIPO treaties, it would reduce the political pressure on
Canadian politicians. The USA has been abusing our contemplation
about these treaties to falsely accuse Canada of not having copyright
law that adequately protects the interests of copyright holders. Those who have compared Canadian and US copyright law know that
Canadian law is already more tilted in favour of copyright holders,
but these facts aren't well known by politicians.
It isn't like these extremists
will stop, but it may cause politicians to become more curious about
what is really being asked of them. I don't think the US will be
happy until all Canadian knowledge base sectors are wiped out, and we
have radically increased our royalties trade deficit with the USA.
There were two primary excuses the United States Trade Representative used for adding Canada to
their priority watch list in their 2010
Special 301 Report:
- not yet ratifying the 1996
WIPO treaties
- not allowing police and
boarder officers the ability to search and seize property without a
shred of evidence of infringement and without a court order.
I consider it obvious that we
should reject the second proposal out of hand for being outrageous.
I believe that the two 1996
treaties head us in the wrong direction and will make things worse
for creators. I still believe that for shorter-term political
reasons we should ratify. My hope is that attention can then move to
future WIPO treaties which will hopefully focus on limitations and
exceptions, including those necessary for the visually impaired and
to have a development agenda that allows other countries to develop
the way current net-exporting countries like the USA developed. Newer WIPO treaties amend past WIPO treaties, and I fully expect to
see treaties which correct the serious mistakes made in 1996. Copyright law is clearly in need of modernization.
---
Russell McOrmond is a self employed consultant,
policy coordinator for CLUE:
Canada's Association for Free/Libre and Open Source Software,
co-coordinator for Getting Open Source Logic INto Governments (GOSLING),
and host for Digital
Copyright Canada.